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・ Adorata
・ Adoration
・ Adoration (1928 film)
・ Adoration (2008 film)
・ Adoration (band)
・ Adoration (disambiguation)
・ Adoration (Tomato)
・ Adoration in the Forest (Lippi)
・ Adoration Monastery of the Sisters of St-Clare
・ Adoration of the Child
・ Adoration of the Child (Bosch)
・ Adoration of the Child (Correggio)
・ Adoration of the Child (Gentile da Fabriano)
・ Adoration of the Magi
・ Adoration of the Magi (Andrea della Robbia)
Adoration of the Magi (Bosch, Madrid)
・ Adoration of the Magi (Bosch, New York)
・ Adoration of the Magi (Bosch, Philadelphia)
・ Adoration of the Magi (Correggio)
・ Adoration of the Magi (Dürer)
・ Adoration of the Magi (Filippino Lippi)
・ Adoration of the Magi (Fra Angelico and Filippo Lippi)
・ Adoration of the Magi (Gentile da Fabriano)
・ Adoration of the Magi (Leonardo)
・ Adoration of the Magi (Lorenzo Monaco)
・ Adoration of the Magi (Mantegna)
・ Adoration of the Magi (Ospedale degli Innocenti)
・ Adoration of the Magi (Perugino)
・ Adoration of the Magi (Rubens)
・ Adoration of the Magi (Rubens, Antwerp)


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Adoration of the Magi (Bosch, Madrid) : ウィキペディア英語版
Adoration of the Magi (Bosch, Madrid)

The ''Adoration of the Magi'', or ''The Epiphany'' is a triptych oil painting on wood panel by the Netherlandish artist Hieronymus Bosch, executed around 1485-1500. It is housed in the Museo del Prado of Madrid, Spain.
==History==
The work was once identified with a canvas executed for the Cathedral of 's-Hertogenbosch, Bosch's hometown. However, it is now considered more likely〔 that this one is the painting owned by Jehan de Kassembrood which was seized by Fernando Álvarez de Toledo, 3rd Duke of Alba in 1567. The painting contains the coat of arms of the Bronchorst, the family of Kassembrood's wife; Kassembrood had been secretary of Lamoral, Count of Egmont, and was executed with him in 1568.
Together with other forfeited works of art, the Duke shipped the triptych to Philip II of Spain, a collector of Bosch paintings. In 1574 the painting was in the El Escorial monastery, and is mentioned in 1605 as an "''Epiphany'' without any extravaganza", differently than other Bosch's work there.〔 It has been at the Prado since 1839.
As with most of Bosch's works, the dating is disputed, while the wooden supports of the triptych could not be dated through modern dendrochronologic analysis for technical reasons.

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